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・ Carlo Emanuele Madruzzo
・ Carlo Emanuele Muzzarelli
・ Carlo Emanuele Pio di Savoia
・ Carlo Emanuele Ruspoli, 3rd Duke of Morignano
・ Carlo Emery
・ Carlo Emilio Bonferroni
・ Carlo Emilio Gadda
・ Carlo Emmanuele dal Pozzo, 5th Prince of Cisterna
・ Carlo Ercole Bosoni
・ Carlo Ernesto Liverati
・ Carlo Evasio Soliva
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Carlo Farina
・ Carlo Fassi
・ Carlo Fatuzzo
・ Carlo Favagrossa
・ Carlo Favetti
・ Carlo Fazzari
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・ Carlo Fecia di Cossato
・ Carlo Felice Bianchi Anderloni
・ Carlo Felice Biscarra
・ Carlo Felice Cillario
・ Carlo Felice Nicolis, conte di Robilant
・ Carlo Felice Trossi
・ Carlo Ferdinando Landolfi
・ Carlo Ferrara


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Carlo Farina : ウィキペディア英語版
Carlo Farina
Carlo Farina (ca. 1600 – July 1639) was an Italian composer, conductor and violinist of the Early Baroque era.
==Life==
Farina was born at Mantua. He presumably received his first lessons from his father, who was ''sonatore di viola'' at the court of the Gonzaga in that city. Later he got further education probably by Salomone Rossi and Giovanni Battista Buonamente. From 1626 to 1629, he worked as concertmaster in Dresden. In Dresden he worked with Heinrich Schütz, who interested him in composing. From 1629 to 1631, he was a prominent member of the electoral court orchestra in Bonn, until he returned to Italy, where he worked in Parma and later in Lucca until 1635. In 1635 he held position at the court of Carlo I Cybo-Malaspina, Prince of Massa, and between 1636 and 1637 in Gdańsk. From 1638 he lived in Vienna, where he died of the plague probably a year later.
He is considered to be one of the earliest violin virtuosos and he made many contributions to violin technique. For example, in his work ''Capriccio Stravagante'' (1627) he used the violin to imitate animal sounds like dogs barking or cats fighting. According to Cecil Forsyth's ''Orchestration'', he "is generally credited" with "the invention of the double-stop"〔Cecil Forsyth, William Bolcom (1982). ''Orchestration'', p.315. ISBN 0-486-24383-4.〕 (although nearly a century earlier Ganassi’s ''Regola rubertina'' (1542–3) describes the technique, suggesting it was common among contemporary viol players.〔David Froom (2001), ''New Grove Dictionary of Music'', ed. Stanley Sadie, vol. 17, 384.〕).
Musical lineage aside, Carlo Farina was granted the title of Count of Reggio di Calabria by Charles Emmanuel II, Duke of Savoy. He was head of music for the Royal Court of the Prince of Messa from 1626-1630.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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